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Bonjour pouvais vous me traduire tout cela en anglais
Merci

L’exposition « represent » de Philadelphie se compose de 75 oeuvres sur l’art des noirs américains. elle se comporte de 200 ans d’art afro-américain.
cette exposition fait l’impasse sur des créateurs afro-américains majeurs, en premier lieu David Hammond.

Ces personnes ont toujours produit, dans la discrétion ou le déni, malgré les difficultés d’accès à toute formation. Chaque pièce choisie fait sens, soulève une question, étaye la démonstration. L’exposition a un grand mérite , elle fait voler les catégories, intégrant aussi l’art brut. Surtout, elle démontre aussi les stéréotypes.

Je vais vous parlez de David Drake qui était un esclave qui savait lire et écrire. Il avait signé son objet du nom de « Dave » en affirmant son individualité, il risquait gros.
parlons aussi de Bill Traylor qui lui aussi est né esclave. Il est reconnu car il s’était mis à dessiner sa vie passée dans les champs

peut-on pour autant parler d’identité artistique spécifiquement noire ? Dès les années 1920, deux intellectuels afro-américains ont débattu de la question. Pour le critique d’art George Schuyler, il n’existait pas d’art noir. « Les blancs et les noirs viennent des mêmes localités, ils parlent, pensent et agissent de la même façon », écrit-il dans son essai The Negro Art Hokum

une peinture de Jacob Lawrence, représentant deux mariages mixtes. Le titre est éloquent : Tabou. Nous sommes en 1963 et de telles unions sont illégales dans 22 Etats américains

Nous pouvons donc constater que l’art afro-américain est essentiellement basé pour s’exprimer et arrêter la discrimination. Ils veulent changer les mentalités à travers ses oeuvres créés par ses esclaves

Sagot :

LAUREZEL4

Réponse:

The Philadelphia "represent" exhibition consists of 75 works on the art of black Americans. it behaves 200 years of African-American art.

this exhibition overlooks major African-American designers, first and foremost David Hammond.

These people have always produced, with discretion or denial, despite the difficulties of accessing any training. Each piece chosen makes sense, raises a question, supports the demonstration. The exhibition has great merit, it blows up categories, also incorporating art brut. Above all, it also demonstrates the stereotypes.

I'm going to tell you about David Drake who was a slave who could read and write. He had signed his object with the name of "Dave" by asserting his individuality, he was risking a lot.

let's also talk about Bill Traylor who was also born a slave. He is recognized because he had started to draw his past life in the fields

However, can we speak of a specifically black artistic identity? As early as the 1920s, two African-American intellectuals debated the issue. For art critic George Schuyler, there was no such thing as black art. “Whites and blacks come from the same localities, they speak, think and act the same,” he writes in his essay The Negro Art Hokum

a painting by Jacob Lawrence, depicting two mixed marriages. The title speaks for itself: Taboo. It is 1963 and such unions are illegal in 22 American states.

So we can see that African American art is essentially based on expressing oneself and stopping discrimination. They want to change mentalities through his works created by his slaves

YANN007

Réponse:

The Philadelphia "represent" exhibition consists of 75 works on the art of black Americans. it behaves 200 years of African-American art. this exhibition overlooks major African-American designers, first and foremost David Hammond. These people have always produced, with discretion or denial, despite the difficulties of accessing any training. Each piece chosen makes sense, raises a question, supports the demonstration. The exhibition has great merit, it blows up categories, also incorporating art brut. Above all, it also demonstrates the stereotypes. I'm going to tell you about David Drake who was a slave who could read and write. He had signed his object with the name of "Dave" by asserting his individuality, he was risking a lot. let's also talk about Bill Traylor who was also born a slave. He is recognized because he had started to draw his past life in the fields However, can we speak of a specifically black artistic identity? As early as the 1920s, two African-American intellectuals debated the issue. For art critic George Schuyler, there was no such thing as black art. “Whites and blacks come from the same localities, they speak, think and act the same,” he writes in his essay The Negro Art Hokum a painting by Jacob Lawrence, depicting two mixed marriages. The title speaks for itself: Taboo. It is 1963 and such unions are illegal in 22 American states. So we can see that African American art is essentially based on expressing oneself and stopping discrimination. They want to change mentalities through his works created by his slaves

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